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Shawn Ryan Loves Coming Home to San Francisco

Acclaimed by critics as one of the brightest stars rising up in the cabaret/Jazz circuit today, Shawn Ryan is amazed at the ride and where his career is taking him. Ryan feels so fortunate, because he is doing what he dreamed of.

“I was always drawn to theatre all my life.” He credits that to his parents and grandparents who loved music and theatre and were performers in local productions while he was growing up. With theatre and performing “in his blood,” ryan.jpgso to speak, Ryan was eager to study acting at the American Academy of Dramatic Arts in New York City. It was while he was there that he unexpectedly discovered cabaret. After school one night in Greenwich Village, he got the urge to sing at the piano bar at a nightclub. The path to cabaret and live performance was set before him, and he has been involved with cabaret ever since. “I love it because it is different each and every time. It is a free-form type of art, an improvisation every show,” said Ryan. He feels that cabaret performing helps with his acting work. “I am content with all the work I am doing I love it, but I want more,” said Ryan, as he took some time to talk to Cabaret Exchange while taking a break on vacation in Reno/Tahoe. He was resting to get ready to perform at the Empire Plush Room at the York Hotel, January 11 - 13, 2008.

Being able to perform at the Plush Room one more time is special to Ryan. He sees it as significant, because it was at the Plush Room where he made his professional debut in 2000. He was eager to emulate all the singers he met, such as Andrea Marcovicci, Linda Kosut, Lua Hadar and others, who are now his friends.

The road to his cabaret debut was an unusual one. Upon returning home to San Francisco from The American Academy of Dramatic Arts, Ryan entered a local competition at Piaf’s Restaurant near Market Street. At that time the cabaret style restaurant was to provide the winners a full booking of shows. Kosut, who also performed in that competition at Piaf’s said that, “since (meeting him in) 2000, I have been a friend and a major fan.” Piaf’s is also where Ryan met accompanist Kelly Park. They continue to collaborate and perform together, as Park is now his musical director.  

“Kelly and I won the prize. But the restaurant went out of business,” said Ryan. Undaunted by the unexpected shawnonstagewithaccompanistkellypark.jpgobstacle, Park encouraged Ryan to go forward just the same and find a venue in town to perform. He reminisced that “back then I was so new and green to all of this, that when I called the Plush Room to inquire about scheduling to put on a show, I was told, ‘No one just calls up and schedules a show date, you must audition.’” Ryan laughs about it now, but at the time, his venture into cabaret performing was daring since he had little prior experience.

In just eight years, Ryan has managed to not only sing in cabaret and jazz spots from coast to coast, but has appeared on TV as a semi-finalist in the competition show “America’s Got Talent.”

Not yet 30 years old, Ryan has also appeared on stage, on episodic TV and in films. His most recent acting work was an appearance on the new ABC drama “Woman’s Murder Club.” He has recorded two CD’s, and his latest, “Blue Skies,” has been well received.

His busy schedule would make any aspiring performer envious, no doubt. Cabaret Exchange was in the audience for his performance at the Plush Room. “Whether they call it the Empire Plush Room or Razz Productions at The Plush Room, I just refer to it as the Plush Room,” he told the audience that filled the long-standing venue on Saturday, January 12.

Ryan kept the audience laughing with clever banter between each song. Yet behind the wit and humor, he does not take any of his success for granted. He also expressed a bit of disappointment that the Plush Room is no more. He was among the last scheduled performers to appear at the Plush Room just before it shut down. Confessing his sentiments, he said that earlier that day before the show, he just sat on stage, taking in its ambiance. Looking up atplush_ceiling.jpg the rich design of the large stained glass window on the ceiling above the audience, Ryan said, “Look at that ceiling, so beautiful, I am going to miss that. The new owners say they want to serve food and turn the Plush Room into a restaurant,” said Ryan. He was not alone in his sentiments, as the audience agreed. Despite repeated attempts by the cabaret community in SF to save the Plush Room, a new cabaret venue will emerge as The Razz Room at the Hotel Nikko next month.  

A standing ovation (the audience did not want the show to end) led Ryan to oblige their affection, by giving them a few more songs. Everyone lingered after the show, and there was a collective sigh of sorts as it was clear that indeed, this was the closing night for a venue that can trace its roots back to the roaring ‘20s. After all the music stopped, some stood in line to greet Ryan and buy a copy of his “Blue Skies” CD.  Many just wanted to sit and savor that last drink.  

Roberta Quick from the Napa Valley enjoyed Ryan’s performance. “He’s fabulous, I listened to his CD in the car – just adore his music,” she said. “Birdie,” as she likes to be called, also admired the stained glass ceiling. She then noted, “but things do change and we must move on. I am sure the Razz Room will be great.”

For more information about Shawn Ryan and his music visit:

http://www.shawn-ryan.com 

And, to know more about The Razz Room at the Hotel Nikko visit: http://therrazzroom.com

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