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Reviews
Norma Doesmen
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By: Gregg Micheals   
Norma_DoesmenImagine our surprise, when one of our writers contacted us after reading the Norma Doesmen item on NiteLifeExchange.com. Apparently, in support of Tommy Femia, he went to see the show and offered to write a review. Since he does write for us, and had already been to the show, how could we turn down his offer. The following is Gregg Micheals' review of Norma Doesmen.   --  Scott Barbarino, Publisher/Editor-in-Chief

Last time Norma Doesmen was mentioned on this site, it was stated that the reviewer had been blocked at the door and refused entry... 

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Pat Holley at the Metropolitan Room
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By: Lucy Galliher   

Pat_HolleyPat Holley at the Metropolitan Room. Singer/actor Pat Holley brought a quartet of musicians into the Metropolitan Room on February 28, 2010 to do her show called “Tall Songs and Forgotten Gems.” In the band were: Ian Herman, pianist and Musical Director; Tommy Morimoto, tenor sax; Seth Lewis, bass and Steve Little on drums. Looking sleek in a black sleeveless top, long satin skirt and silk scarf, Pat was in high spirits as she entertained the full house of friends and family.

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CD REVIEW: KATE BALDWIN/LET’S SEE WHAT HAPPENS
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By: Daryl Glenn   
Songs_of_Lane_and_HarburgThis is the first solo recording from recently annointed Broadway star Kate Baldwin ( of the recent, sadly departed revival of Finian’s Rainbow, and it is a treasure. All of the cuts on this album were either musically or lyrically co-created by Broadway legends Burton Lane or E. Y. ("Yip") Harburg, working with a host of other collaborators and they are gems all, illustrating what was some of the very best theatre (and film musical) writing we have ever known. The terrific orchestrations were created by a glittering assemblage of mostly well-known arrangers/conducters, among them Rob Berman and the marvelous Jonathan Tunick, with his aptly-titled “Broadway Moonlighters” orchestra. It is a tribute to Ms. Baldwin that all of these varied ingredients, which could have thrown the balance out-of-whack, gel so perfectly around her assured central presence.
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CD Review - Jenna Esposito/To Connie... Love, Jenna
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By: Daryl Glenn   
Jenna_Esposito_Sings_Connie_FrancisA tribute to be treasured, made with obvious love and reverance to its subject, this record of Ms. Esposito’s infectious, heartfelt ode to chart-topping songstress Connie Francis, scores on many levels. Not only as a sincere homage to her idol, but also as a testament to her right-on renditions of these oh-so-famous tunes. While never resorting to out-and-out imitation, she manages to capture the magic of Ms. Francis, with just the right touch of her own particular style.
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CD REVIEW: Barb Jungr/The Men I Love
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By: Daryl Glenn   

The_Men_I_loveThis entrancing, brand new collection from the fabulous Barb Jungr is subtitled “the new American songbook,” and functions on two levels. The first, as a record of her triumphant debut last year at New York’s posh Cafe Carlyle Supper Club, and secondly, as a valentine to some of the songwriters responsible for these "new classics" of our time. They include absolute gems from the likes of David Byrne, Neil Diamond, Leonard Cohen, Bruce Springsteen, Todd Rundgren, David Gates, Bob Dylan, Paul Simon and Jimmy Webb, among others. As is her tradition, Ms. Jungr deconstucts each of these selections and tailors them to her singular,extraordinary style.

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CD REVIEW: Liz Callaway/Passage of Time
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By: Daryl Glenn   
Passage_of_TimeThere is a very good reason that Liz Callaway was chosen to "stand-in" for Barbra Streisand on her most recent tour. Their voices, distinct as they are, have that uncanny ability to send chills down your spine and your spirits soaring into the stars. This new collection of songs from Ms. Callway, only her fourth solo outing, is a joy from start to finish, taking listeners on a lovely journey of song. A clever mixture of pop standards and well-known (and a few lesser-known) theatre songs, the choices are impeccable.
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Norma Doesmen
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By: Scott Barbarino   

Norma_DoesmenTry as we might to cover our friend Tommy Femia in his new theatre venture, Norma Doesmen, our reviewer was blocked at the door by wild-eyed, writer/director Stephen Stahl. The very professional and surprised publicist tried to reason with Mr. Stahl, but to no avail, and our writer had his tickets taken away and was asked to leave the Abingdon Theatre, or risk being thrown out. Needless to say, he left. Since we cannot review the show without having seen it, we thought we would share some reviews - well, actually the only two that came up on Google - so that you might appreciate the event we missed.

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CD REVIEW: Ashley Brown/Speak Low
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By: Daryl Glenn   

Speak_LowI must reveal, the first few tracks did not thrill me. Nothing wrong with them, they just seemed pedestrian, but suddenly Ms. Brown launched into an infectious arrangement of the oh-so-famous Charlie Chaplin composition “Smile,” and her joyous rendition of this classic song, set to a rousing samba, grabbed and held my attention!  In case you don’t know, Ms. Brown was the original Mary Poppins, in its Broadway incarncation, and this album is a testament to how she landed this prestigious engagement. I would have preferred she had opened the disc with one of the uptempo selections (“Saturday Night Is The Lonliest Night Of The Week” or “Let’s Fall In Love”),

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Gerald Clayton at the Village Vanguard
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By: Lucy Galliher   

Village_VanguardThe Village Vanguard is celebrating its 75th Anniversary this month, February of 2010, and Lorraine Gordon is still at the helm! This week she brought in a talented, award-winning group of young musicians to perform at the renowned jazz club, the Gerald Clayton Trio. Gerald Clayton (best known for playing with Roy Hargrove) was on piano, Joe Sanders - bass, and Justin Brown was the drummer.

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