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BONDING WITH BOND
I wasn't sure what to expect when I went down to the Laurie Beechman Theatre to catch the last performance of Phil Geoffrey Bond's one-man show, My Roaring Twenties: How I Learned to Drink Fast, but I was intrigued by the flyer and press release. Given Phil's penchant for innovative programming for the cabaret stage, interactive movie nights, spoken word, etc., I knew it would be different. I braved the elements, cats and dogs as I left home -- and boy, am I glad I did. What I saw was quite simply a most wonderful and brilliant piece of theater. Some of the best, in fact, that I've ever seen.
Now, I must admit being a simple boy from Brooklyn; though I've known Phil for years and have watched his career closely, we've only ever really been acquaintances because, frankly, he scared me. He always appeared so prim and proper with a bit of self-assured arrogance thrown in…. and after all, he had been a publicist. Over the years, I saw flashes of his deadpan style of humor and thought to myself, he is human after all, even though he was a publicist. Well, folks I'm here to tell ya Mr. Bond is very human. The story he tells, the self-effacing way he tells it, and the revelations about himself and --- through that revealing the light he shines on the human condition, at least that condition of humans here in New York involved in the entertainment business --- is so completely enlightening, endearing and thoroughly entertaining, that I'd like to do something I in my life have very rarely done: I'd like to see a show again.
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